“Teetering on the edge of something truly brilliant.” – DIY
“Florence Road are headed for stardom” – Rolling Stone
“Florence Road are set to be the breakout band of 2025” – DORK
“one of 2025’s biggest breakthrough acts” – Billboard UK
“A band to get behind with urgency” – The Line Of Best Fit
Florence Road today release their new track, ‘Rabbits Can Swim’, taken from their upcoming EP Spring Forward, out 27th March. The song arrives following the band’s show at The Moroccan Lounge in Los Angeles, and ahead of The Last Dinner Party, where they’ll open on select North American dates. A tender ballad of longing, it showcases Florence Road’s talent for blending raw emotion with sweeping indie-pop melodies, jumpstarting what promises to be a landmark year following their standout accomplishments from last year.
2025 firmly established them as one of the most exciting new acts to watch. The Irish four-piece dropped their debut mixtape Fall Back to widespread acclaim, sold out their first UK and Ireland headline tour, and earned major accolades including a spot on the BBC Sound of 2026 list and Pandora’s Artist to Watch 2026. They also landed magazine covers for DIY’s Class of 2026 issue, Hot Press and DORK, delivered standout sets at SXSW London and The Great Escape, and supported Olivia Rodrigo, sombr, Wallows, Royel Otis, and Wolf Alice. With more music on the way this year, their momentum shows no sign of slowing.
Made up of childhood friends Lily Aron (Vocals), Emma Brandon (Guitar), Ailbhe Barry (Bass) and Hannah Kelly (Drums), Florence Road spent their teens perfecting their craft in Aron’s garden shed in Bray, Ireland, refining a sound that is as influenced by icons like The Cranberries as it is contemporary peers such as Wolf Alice and Phoebe Bridgers.
First capturing audience attention by posting covers online in their distinct style, the band have more than delivered on their early promise and the fervent noise around them should serve as ample warning that Florence Road are set to establish themselves as one of the defining bands of their generation.
GRAMMY® & Emmy Award-winning superstar singer, songwriter, rapper, instrumentalist, and actress Lizzo has released a new track and video, “Don’t Make Me Love U,” — listen HERE / watch HERE. The anthemic ballad, produced by longtime collaborator Ricky Reed & Cheche Alara, kicks off Lizzo’s new musical era.
The video, directed by Tanner K Williams and shot by Bentley Rawle, gives a surreal and visually striking look into a familiar relationship of grappling with your past-self, reflecting and eventually evolving through learning and growth. It’s as cinematic and sincere as it is satirical as told through a cerebral lens of Lizzo and Lizzy, her alter ego.
This much anticipated release comes on the heels of a fully sold-out run of shows at Blue Note Jazz Club’s Los Angeles & New York locations, totalling a run of 12 performances. Variety heralded that “these shows reminded the audience, up close and personal, what a major talent Lizzo is: a top-class singer, an engaging and entertaining performer, and to a degree we haven’t really seen before, a trained, serious musician.” She most recently gave an electrifying performance to a sold-out Houston Rodeo with over 70,000 fans earlier this month.
Lizzo also recently announced the upcoming release of her first ever children’s book Lil Lizzo Meets Sasha B. Flootin’, coming to bookshelves all over on September 8th, 2026. Published by Simon & Schuster Books for Young Readers, the story tells the tale of a bubbly little girl who just wants to belong meeting a smart and brassy flute who can’t find her tune, winding up on a wild adventure to places filled with incredible sounds.
“a cohesive, no-skips record that offers an update on Duff’s life, including honest looks at motherhood, marriage, and the passing of time… a pop record that holds very little back, offering a realistic, at times unglamorous portrait that is highly relatable.”
Multiplatinum global superstar Hilary Duff has officially released her highly anticipated sixth studio album, luck… or something, available now via Atlantic Records HERE. Co-written by Hilary and produced by her husband, GRAMMY® Award-winning songwriter/producer Matthew Koma (Britney Spears, P!nk), and Brian Phillips (Alec Benjamin, blink-182), the 11-track collection features previously released singles, “Mature” and “Roommates” and arrives alongside an official visual for the album’s standout opening track, “Weather For Tennis” – watch HERE.
“There’s that question of whether women can have it all, and through this process I learned I had to sacrifice some things in order to put the record first,” shares Hilary. “As hard as that is, I still believe it’s okay to choose yourself sometimes and do what scares the hell out of you. Carving out the time to make an album after all these years was incredibly powerful for me, and now I can’t wait to share it with the world.”
Pulled between the chaos and clarity of motherhood, marriage, and finding herself in her 30s, Duff dreamed up a batch of songs that uncover the secret corners of her inner world: her hidden longings and quiet insecurities, intrusive thoughts and deepest obsessions. In a bold evolution of her artistry, she crafted every track with equal parts sensitivity, self-awareness, and wildly charming wit.
luck… or something was heralded by its first single, “Mature.” Hailed by VOGUE for “pushing Duff’s sound in new directions while still feeling quintessentially Hilary,” the sardonic, shimmering track – which quickly earned over 5M global streams in its first week of release – arrived as a piece of autofiction inspired by romantic misadventures in her formative years. Set against bright pop production and layered with Duff’s signature wit and vulnerability, “Mature” is accompanied by an evocative music video directed by Lauren Dunn (Olivia Rodrigo, Dove Cameron, Saweetie), which has garnered nearly 4M views via YouTube HERE.
Currently climbing at Pop & Hot AC Radio, the album’s second single, “Roommates,” was met with high-profile praise from outlets including Billboard, V Magazine, and Rolling Stone, the latter of which declared it “10 OUT OF 10…one of her best songs.” “Roommates” is accompanied by an official music video directed by Matty Peacock (Billie Eilish, Ariana Grande) and currently boasting over 2M views on YouTube HERE.
Duff will celebrate luck… or something with the lucky me tour, her first full-scale global headline run in almost two decades. Spanning seven countries, with dates across the US, Canada, Mexico, the UK, Ireland, Australia, and New Zealand, the world tour begins with a two night run in West Palm Beach, FL June 21 & 22, and travels into February 2027. Full routing is available below. Due to incredible fan demand, second shows have been added including multiple nights in Los Angeles, New York, Toronto, London, West Palm Beach, Vancouver, and Mexico City. General on-sales in the US, Canada, Ireland, and the UK start today, at 10 am (local), in Mexico at 11 am (local), and in Australia/New Zealand at 1 pm (local). For complete details and ticket information, please visit www.hilaryduff.com/live.
Highlights include shows at world-famous venues such as Los Angeles, CA’s Kia Forum (July 8 + 9), Morrison, CO’s Red Rocks Amphitheatre (July 20), New York City’s Madison Square Garden (August 5 + 6), London, UK’s The O2 (September 10 + 15), Melbourne, AU’s Rod Laver Arena (October 26 + 27), Vancouver, BC’s Rogers Arena (January 22 + 23 ) and Mexico City, MX’s Palacio de los Deportes (February 12 + 13). Support for 2026 shows in the US, Canada, Ireland, the UK, Australia, and New Zealand shows comes from GRAMMY Award-winning, RIAA Platinum-certified artist La Roux. North American dates through 2026 will also feature special guest Jade LeMac, while Lauren Spencer Smith will join Duff on 2027 Canadian dates.
Last weekend saw Duff marking the new album’s impending arrival with the first of two SOLD-OUT limited engagements at the Voltaire at The Venetian Resort Las Vegas, with the next set for May 22-24. Hilary’s landmark 2026 kicked off last month with her “Small Rooms, Big Nerves” dates, an instantly SOLD-OUT global run of very special live shows marking her first headline concert appearances in over a decade.
“I constantly get asked how I still have my head on straight after growing up in this industry,” says Hilary. “The album title is my way of answering that question, which felt right for a record that’s about where I’ve landed and all the things I’ve been through along the way.”
Charli xcx today releases her new album ‘Wuthering Heights’, written for Emerald Fennel’s highly anticipated new feature film, in theatres now.
A bold and original imagining of one of the greatest love stories of all time, Emerald Fennell’s “Wuthering Heights” stars Margot Robbie as Cathy and Jacob Elordi as Heathcliff, whose forbidden passion for one another turns from romantic to intoxicating in an epic tale of lust, love and madness.
This month, Charli xcx stars in A24’s The Moment. Based on an original idea by Charli and directed by Aidan Zamiri, the film marks the first co-production from her new studio365 venture. Lauded by critics and fans alike – with Cultured calling it “as close to art as pop gets,” ELLE hailing it as a “darkly funny portrait of stardom,” and i-D praising it as “garish and amazing” – the film has already become A24’s fastest-selling limited release following its Sundance premiere.
In addition, Charli will star in Daniel Goldhaber’s remake of 1978 cult horror ‘Faces of Death’, Greg Araki’s erotic thriller ‘I Want Your Sex’, Cathy Yan’s upcoming independent film ‘The Gallerist’, Julia Jackman’s period fantasy ‘100 Nights Of Hero’, Romain Gavras’ satirical action ‘Sacrifice’ and Pete Ohs’ intimate drama ‘Erupcja’.
Two Intimate, Curated Nights Celebrating New Irish Music in Galway and Dublin —
In Aid of Médecins Sans Frontières’ Work in Palestine
Tickets for both shows are strictly limited and on sale now HERE
Irish band Florence Road today announce Faoin Solas – two very special, intimate live shows bringing together some of the most exciting emerging voices in Irish music, while raising vital funds for Médecins Sans Frontières in support of their humanitarian work in Palestine.
Each city will host a completely unique lineup, with Florence Road closing out both nights. Beyond the music, these shows carry a deeper purpose. All proceeds will go toward Médecins Sans Frontières (MSF) and their ongoing emergency medical response in Palestine. At a time when humanitarian aid is urgently needed, Faoin Solas aims to channel the power of live music into tangible support.
Florence Road said:
“We wanted to create something intimate and meaningful, two nights that shine a light on Irish artists that we love, while also standing in solidarity with people who still need support. Music for us is about bringing people together and these shows will hopefully do that. We can’t wait!”
These strictly limited-capacity shows take place:
Thursday, February 19th — Button Factory, Dublin
Saturday, February 21st — Róisín Dubh, Galway
Tickets are on sale now and expected to move quickly.
Faoin Solas is more than a gig, it’s a celebration of the vibrant new wave of Irish music.
The UK’s next global superstar Erin LeCount releases her new single, ‘DON’T YOU SEE MY TRYING?’. The single is the fourth track taken from Erin’s recently announced and upcoming sophomore EP, PAREIDOLIA, which is set for release on Friday 27th February via Atlantic Records. ‘DON’T YOU SEE ME TRYING?’ is accompanied by a new music video which is available to watch below.
On ‘DON’T YOU SEE ME TRYING?’, Erin LeCount demonstrates why she is one of the most acclaimed and exciting new artists to emerge onto the scene today, with an artistic vision that is unfalteringly and unmistakably her. The track’s expansive production, which was created entirely by Erin, is coupled with her hauntingly beautiful vocals and lyrics. ‘DON’T YOU SEE ME TRYING?’ has a sound that falls between art-pop and baroque-pop, and it is a track that signifies the lofty trajectory Erin LeCount has in store for her already impressive career.
Erin LeCount’s new upcoming EP, PAREIDOLIA, is set for release on Friday 27th February and takes its name from “the tendency to perceive meaningful connections between unrelated things or ideas” e.g. seeing shapes in clouds, or a face in the moon”.
Speaking about ‘DON’T YOU SEE ME TRYING’, Erin LeCount said:“‘DON’T YOU SEE ME TRYING?’ is a self written and produced song about the euphoria of self sabotaging just when things get good. The danger and joy of giving in to old habits, the manic impulse to throw it all away, a reckless abandon and invitation back into a downwards spiral. A heavy synth bass behind frenzied live strings and fractured vocal chops – sonically flying and lyrically falling. It is a cathartic confession of relapse with no desire to be rescued.”
Speaking about her new UK ‘PAREIDOLIA Tour’, Erin LeCount said:
“The PAREIDOLIA SHOWS are a collection of four exclusive, special performances across the UK to celebrate the release of my newest EP. You are invited for four special nights down the rabbit hole, into the dreamiest downward spiral.”
Speaking about her new EP, PAREIDOLIA, Erin LeCount said:
“PAREIDOLIA is a self-written and produced EP that tells the story of a downward spiral. The tale of falling down a rabbit hole, a willing return to self destruction. The true definition of “pareidolia” is “the tendency to perceive meaningful connections between unrelated things or ideas” eg. seeing shapes in clouds, or a face in the moon. It is a distorted, warped perspective of reality and of self, it’s the brain’s way of seeking familiar patterns that make us feel safe. I have lived vicariously through these songs the last year, crafting them in their intensity and heart and impulse, writing through that distorted lens and playing the unreliable, occasionally paranoid narrator over heavy synth basses, relentless live strings and synthetic shimmery harps.”
In May 2026, Erin LeCount will embark on her biggest run of shows to date with her new UK tour, entitled the ‘PAREIDOLIA Tour’, which will see her play dates in Manchester, Glasgow, Bristol, and London, the latter of which will take place at the Roundhouse in what is Erin’s largest headline show so far. Presale tickets go on sale on Monday 16th February at 10:00 GMT, with general on sale starting on Friday 18th February at 10:00 GMT. Fans can sign-up to the presale HERE. Last week, Erin was also announced on the line-up for Lorde’s All Points East date on Saturday 22nd August.
Erin LeCount is a 23-year-old self-taught artist and producer. A visionary sonic architect and the sole writer and producer of her music, her sound ranges from luscious baroque-pop arrangements to alluring gothic-pop. At the foreground of her music are diaristic lyrics and captivating synths which offer an enchanting interplay of vulnerability and power. The themes within her music explore everything from identity to relationships and the meaning of life. Erin’s influences include Fiona Apple, Kate Bush, Lorde, Imogen Heap, Charli xcx, and Sampha.
PAREIDOLIA Tracklisting
I BELIEVE
DON’T YOU SEE ME TRYING?
808 HYMN
AMERICAN DREAM
MACHINE GHOST
ALICE
ERIN LECOUNT 2026 TOUR DATES
Thursday 12th February, Roxy, Los Angeles, CA – SOLD OUT
Friday 13th February, Roxy, Los Angeles, CA – EXTRA DATE ADDED
The track marks Fred’s third release of the year, following ‘scared’ with Young Thug and Hamdi’s remix of ‘OK OK’, which appears on his newly announced ‘USB002 REMIXES’ album. The remix album will feature 7 reworked tracks from Fred’s ongoing, ever-evolving USB series, due for release on 6th March.
At the end of January, Fred wrapped up his USB002 New York residency at East End Studios with a final weekend of shows, joined by KETTAMA and BRUX on the Friday, and Caribou and Ben UFO on Saturday’s line-up.
Fred continues his ‘USB002’ journey in London with a two-week residency at Alexandra Palace. The series began last night, featuring Fred alongside Hamdi, Nia Archives, and Oppidan, with PA performances from CA7RIEL & Paco Amoroso, Ezra Collective, Headie One, Jamie T, Blanco, and Berwyn. Tonight’s lineup is still under wraps, with the full schedule set to be unveiled at 3pm.
Last September, Fred kicked off the new era of his acclaimed USB series, revealing he would be releasing ten songs and playing ten shows in ten cities around the world across ten weeks. Tracks including ‘you’re a star’ with Amyl and the Sniffers, ‘Talk of the Town’ with Sammy Virji & Reggie, and ‘Beto’s Horns’ with CA7RIEL, Paco Amoroso & Ezra Collective were added to the ever-evolving album, with the ‘USB002’ vinyl arriving in December.
Fred’s USB album originally began in 2022, featuring tracks like ‘Baby Again’, ‘Rumble’ alongside Skrillex & Flowdan, ‘Jungle’, ‘leavemealone’ with Baby Keem and ‘stayinit’ with Lil Yachty, as well as remixes from Nia Archives, HAAi and Rico Nasty, before the first collection was released on vinyl as USB001 in 2024.
FOLLOWS A STANDOUT GRAMMY® PERFORMANCE OF “12 TO 12”
SOLD-OUT UK/EU TOUR STARTS NEXT WEEK
INCLUDING A SOLD-OUT 3ARENA ON MARCH 16TH
NOMINATED FOR INTERNATIONAL ARTIST OF THE YEAR AND SONG OF THE YEAR BRIT AWARDS
“HOMEWRECKER” LISTEN/ WATCH Following a standout debut performance at the 68th annual GRAMMY® Awards on Sunday, SOMBR shares a brand new single, titled “Homewrecker” (Warner Records), his first release since his critically acclaimed, chart-topping 2025 debut album I Barely Know Her. Written and co-produced by the GRAMMY® nominated multi-hyphenated artist, “Homewrecker” arrives with an official music video starring Quenlin Blackwell and Milo Manheim. ListenHEREand watch HERE.
Directed by Gus Black (Phoebe Bridgers, Laufey), the “Homewrecker” music video brings the song’s relatably messy feelings to life. In the visual, SOMBR and Blackwell, cast in a Western film helmed by a short-tempered director played by Manheim, we see tensions rise and the lines between pretend and real life blurred — leading to a high-noon-style western showdown.
Once again, SOMBR is the sole writer and co-producer of his latest song, underscoring the weight of this talent. In addition to his Best New Artist GRAMMY® nomination, he’s currently up for two prestigious BRIT Awards: International Artist of the Year, and International Song of the Year for “undressed.” Meanwhile, “back to friends” has claimed the #1 spot at Top 40 Radio.
In November, SOMBR made his Saturday Night Live debut, where he played “12 to 12” and “back to friends.” That appearance landed between sold-out tours across North America — with most venues being upgraded — and Australia/New Zealand. Next week, he embarks on a sold-out UK/EU run before returning stateside for Coachella. See below for all upcoming dates.
I Barely Know Her was written entirely by SOMBR and co-produced by him alongside the legendary Tony Berg (Phoebe Bridgers, The Replacements). A New York City native raised on the Lower East Side, he started making songs in his bedroom while studying classical music at LaGuardia High School. His 2022 song “Caroline” took the internet by storm, and he’s since released a series of EPs and singles, climbing to over 400 million monthly streams across platforms. Now based in Los Angeles, SOMBR continues to explore young romance and heartbreak through his music, which remains self-written and co-produced.
2026 UK/EU TOUR DATES
February 10—Annexet—Stockholm, Sweden – SOLD OUT
February 11—KB Hallen—Copenhagen, Denmark – SOLD OUT
February 13—Inselpark Arena—Hamburg, Germany – SOLD OUT
February 15—Stodola—Warsaw, Poland – SOLD OUT
February 16—Forum Karlin—Prague, Czech Republic – SOLD OUT
February 18—Gasometer—Vienna, Austria – SOLD OUT
February 19—Tonhalle—Munich, Germany – SOLD OUT
February 20—Halle 622—Zurich, Switzerland – SOLD OUT
February 22—Alcatraz—Milan, Italy – SOLD OUT
February 24—Riviera—Madrid, Spain – SOLD OUT
February 25—Razzmatazz—Barcelona, Spain – SOLD OUT
February 27—Salle Pleyel—Paris, France – SOLD OUT
March 1—Salle Pleyel—Paris, France – SOLD OUT
March 2—AFAS Live—Amsterdam, Netherlands – SOLD OUT
March 4—Columbiahalle—Berlin, Germany – SOLD OUT
March 5—Palladium—Cologne, Germany – SOLD OUT
March 6—AB—Brussels, Belgium – SOLD OUT
March 8—O2 Academy Brixton—London, UK – SOLD OUT
March 9—O2 Academy Brixton—London, UK – SOLD OUT
March 10—O2 Academy Brixton—London, UK – SOLD OUT
March 12—Academy—Manchester, UK – SOLD OUT
March 13—O2 Academy—Birmingham, UK – SOLD OUT
March 15—O2 Academy—Glasgow, UK – SOLD OUT
March 16—3Arena—Dublin, Ireland – SOLD OUT
2026 FESTIVAL DATES
April 10-12—Coachella (Weekend One)—Indio, CA
April 17-19—Coachella (Weekend Two)—Indio, CA
May 24—Bottlerock Napa Valley—Napa, CA
August 11—Sziget Festival—Budapest, Hungary
August 12-15—Øyafestivalen—Oslo, Norway
August 29—Reading Festival—Reading, UK
September 12—Sommo Festival—New Glasgow, NS
“A cultural phenomenon.”
The New York Times
“Sombr was practically born to be the Gen Z rock breakout in 2025.”
Los Angeles Times
“A knockout showcase of melancholy and melodies… [I Barely Know Her] has everything pop has been missing… God Bless Sombr.”
Rolling Stone
“Sombr’s debut album is gloriously exciting”
NME
ABOUT SOMBR
He’s been called Gen Z’s rockstar heir apparent, but sombr is still, in many ways, Shane Boose, the kid who found his voice via a makeshift bedroom studio on the Lower East Side and who is, to this day, the sole writer (and co-producer) of his world-beating songs. The 20-year-old NYC native taught himself production and recorded by night while studying classical music and vocal performance at the prestigious, public LaGuardia High School. Now, with a sticky mix of arena pop, indie yearn, and glam charisma, he documents young love with a smoldering vulnerability and depth celebrated around the globe. In 2025, his smash single “back to friends” hit #1 on Spotify’s Global and U.S. charts, cracked the Billboard Hot 100 Top 10 (#7), dominated Alternative Radio (#1 for 5 weeks), and is now the #1 Pop song in America. His rapid rise is also reflected in his headline tours (North America, U.K., Europe, Australia / New Zealand), which sell out instantly and have pulled in surprise guests like Sam Smith and Laufey. sombr entered 2026 with a Best New Artist GRAMMY nod following a year in which he stormed the MTV VMAs (performing and winning “Best Alternative”), played both Fallon and Kimmel, and climbed the rafters on SNL. He also released his debut album, I Barely Know Her, co-produced by the legendary Tony Berg (Phoebe Bridgers, The Replacements). Near-universal press raves followed, while three of the singles charted simultaneously on the Hot 100.
Maisie Peters has released ‘My Regards’, the lead single from her recently announced new album Florescence. Listen here.
After ‘You You You’, ‘Audrey Hepburn’ and ‘Say My Name In Your Sleep’, ‘My Regards’ offers a fresh taste of Florescence, with Maisie embracing her power, claiming her man, and radiating the assured glow of being truly loved – from her boyfriend’s bedroom.
“My Regards feels powerful, tongue in cheek, sexy and funny, all of which I feel are parts of myself I hadn’t really gotten to explore much musically up until this album!,” explains Maisie. “I was inspired by a lot of the country greats and their ‘stand by your man songs’, and so I thought I’d write my own modern day version; however in this song I get to play the role of fierce protector instead of simpering love interest, which is so often how women have been depicted in relationships throughout history.”
Inspired by the lyric “call me Kevin Costner the way I’m guarding his body,” Maisie teamed up with Amelia Dimoldenberg for her music video directorial debut, putting a modern spin on the 1992 classic The Bodyguard. Playing with the song’s subversive nature, Maisie steps into the role of a security guard protecting a movie star, played by Overcompensating creator and star Benito Skinner. Watch here.
“Directing this music video for Maisie has been an absolute joy,” shares Amelia. “From the moment I heard the track, I knew we had to lean into her gift for storytelling. I thought it would be interesting to subvert the ‘possessive girlfriend’ trope by making Maisie a literal bodyguard. It felt like a fun way to heighten the narrative.”
Arriving on 15 May, Florescence is co-produced with 2x Grammy Winner Ian Fitchuck. Featuring collaborations with Julia Michaels and Marcus Mumford, the record is a meditation on how the right love can help heal the wrong ones. It’s an album about perspective, self-realisation, healing, and ultimately, learning how to flourish.
Maisie will embark on a new run of global ‘Before The Bloom’ theatre dates on 1 March at Sydney’s Enmore Theatre, the tour will travel through Australia, East Asia, Europe, the UK, America, and Canada – see the full itinerary below, and access ticket here. Maisie has partnered with PLUS1 so that £1.20 (or local equivalent) per ticket goes to supporting organisations working for equity, access, and dignity for all.
FLORESCENCE TRACK LISTING:
Mary Janes
Audrey Hepburn
Say My Name In Your Sleep
Old Fashioned
Houses
Kingmaker (with Julia Michaels)
Vampire Time
My Regards
You You You
If You Let Me (with Marcus Mumford)
Flat Earther
Questions
Girl’s Just Flying
You Then Me Now
Nothing Like Being In Love
TOUR DATES:
March
1 | Enmore Theatre, Sydney, Aus
2 | Enmore Theatre, Sydney, Aus
4 | Forum Theatre, Melbourne, Aus
5 | Forum Theatre, Melbourne, Aus
16 | La Madeleine, Brussels, BE
18 | Melkweg MAX, Amsterdam, NL
20 | Astra Kulturhaus, Berlin, DE
21 | Live Music Hall, Cologne, DE
23 | La Cigale, Paris, FR
25 | KOKO, London, UK
April
14 | 9:30 Club, Washington, DC
16 | Théâtre Beanfield, Montreal, QC
17 | The Phoenix Concert Theatre, Toronto, ON
19 | The Vic Theatre, Chicago, IL
22 | The Fonda Theatre, Los Angeles, CA
25 | Cine Joia, São Paulo, BR
About Ameila Dimoldenberg
Host, writer, and producer Amelia Dimoldenberg has spent over a decade building a massive global following across her platforms with her unique comedic approach and engaging content. She is the creative mind behind the wildly popular series, ‘Chicken Shop Date’; the show has redefined the celebrity interview with Dimoldenberg’s awkward charm and is commissioned under her own production company, Dimz, Inc. In recent years, she has been honored on various stages, including the Streamys and the Webbys, for her role as a trailblazer within the changing media landscape. This year, Amelia will mark three consecutive years as the Red-Carpet Correspondent for the Academy Awards (2024, 2025 and 2026.) In August of last year, she further expanded her company initiatives with the launch of Dimz Inc. Academy, a program which aims to ensure young people from all backgrounds have access to the creative media industries.
